If you are not a performer, here’s a way to think about how my Work is different: imagine that everyone in your office or company is relocated to another town, where you only have each other to socialize with. No family, except for short visits, and no weekends. You may have one day a week, or so, where you don’t have to be with the group, but most days you are in one location with your coworkers for about ten hours. It gets, how can I say… intense. Every interaction is heightened, exaggerated. I can’t say why, but it’s true. You genuinely like everyone, some you even come to love, but it’s not Home. When I thought, at age 18, that I wanted to be a sociologist, I wanted to study the dynamics of theatre communities. I think now my subject would be summer opera festivals. They are such strange little worlds…
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It was a great feeling to be on the stage with three good friends, doing what we love to do and sounding good doing it! I can’t wait to hear the recording. (And I won another battle in the ongoing war with my hair!)
In other news: my Met audition is set! December 1st is also SSR’s birthday, so I take that to be a good omen. I’ll be subletting an aprtment in Inwood for about ten days after Thanksgiving, hoping to do as many auditions as possible. But obtaining house auditions is harder than YAP auditions, as there is no application or other pre-established way to get your foot in the door. The process is made easier by having a manger set them up for you, but I’m still working on that element. Hopefully I’ll have something to report in a few weeks…
1 comment:
awww, we're so cute! :)
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